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The “Golden Age” referred to here spans The Jazz Singer and the advent of the talkies to the death throes of the old studio system in the 1960s. So vast was the era’s musical landscape that even this 42-track, double-disc anthology can’t encompass all its peaks. Not surprisingly, the bulk of this collection originated with the Tiffany’s of the screen musical, M-G-M, a body of work whose riches here encompass both pop-cultural bedrock (”Over the Rainbow,” “Singin’ in th (more…)gogi berries

2002 reissue of 1967 classic features the original seven tracks in mono & stereo with ‘Seven & Seven Is’ (Tracking Session) added as a bonus.

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One of rock’s most overlooked masterpieces, this third album by the L.A. folk-rock outfit led by inscrutable singer-songwriter Arthur Lee sounds as fresh and innovative today as it did upon its original release in 1968. With David Angel’s atmospheric string and horn arrangements giving the work a conceptual underpinning, Lee explores mainstream America’s penchant for paranoia (”The Red Telephone”) and violence (”A House Is Not a Motel”) with songs that are as sonically (more…)

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“Peanuts” creator Charles Schulz retired from the cartoonist’s life early in 2000, and indeed left a few loose strings hanging among his chronically dissatisfied characters. He never did, for instance, cut Charlie Brown much slack in the romance department (or let him kick Lucy’s football, for that matter). Sympathetic readers might have taken note of a story in the press just before Schulz said farewell, in which the inspiration for Charlie Brown’s unrequited lo (more…)